Race 3 Action Packed VFX Scene

Hello, Readers here we will take a look into how VFX used in Remo D’Souza directed action thriller film Race3.

Today through this blog we will take you into the World of Bollywood Movies. Race 3 featured actors like Anil Kapoor, Salman Khan, Bobby Deol, Jacqueline Fernandez, Daisy Shah, Saqib Saleem and Freddy Daruwala.

This film became huge success at the box office and it the sequel of Race (2008) and Race 2 (2013).

Produced by Tips Films and Salman Khan Films Company, this film was released in June 2018.

Director Remo D’Souza launched Salman Khan one of the India’s most bankable stars in 3D Bollywood action-adventure film Race 3.

Mind-Blowing VFX Of The Movie Race 3

The shooting of the film Race 3 began on November 2017 at the Mehboob Studios in Mumbai.

Then the filming of Race 3 moved to Bangkok in Thailand where the crew filmed a song and an action sequence choreographed by Anal Arasu, at Bangkok’s Floating Market, Rose Garden and Jungle of Kanchanaburi Province of Thailand.

After Thailand the next shooting location was Abu Dhabi where shooting was done for 35 days at Emirates Palace, Yas Viceroy Abu Dhabi, The St Regis Abu Dhabi, Abu Dhabi National Exhibition Centre, Emirates Steel Company and the Liwa Oasis.

Choreographer Tom Struthers who choreographed in the movie like ‘The Dark Knight’, choreographed the action sequences in Abu Dhabi in an extensive schedule.

For the romantic song shooting between Salman Khan and Jacqueline Fernandez, the crew moved to Kashmir and then to Ladakh.

Actress Jacqueline Fernandez underwent extensive training in Mixed Martial Arts for this movie.

The plot is about the Shamsher Singh (Anil Kapoor) who is a runaway criminal from a village near Allahabad, now owns his weapon business and the conspiracy within his family members.

Shamsher owns a private island Al-Shifa for trading arms and Sikander Singh (Salman Khan) is Shamsher’s step son, there is an intra-family rivalry going on among all of them for the control of business and assets but nobody knows “Iss Khel ka asli Sikander kaun hai”

Yash (Bobby Deol) is a close partner at Shamsher’s empire and Sikander’s confidante whereas Raghu Chaha is the bodyguard of Shamsher.

Other Singh family members included Suraj (Saqib Saleem) and Sanjana (Daisy Shah) who are twins of Shamsher Singh, things get dramatic when Jessica meets Sikander and the family ties becomes strained under each character’s ultimate motives.

Race 3 has stylized characters and high-octane action.

The film showed expensive cars and elaborate shooting set locations.

This film shows all types of action scenes like Car Crashes, Explosions, Combats, Car-fights and Wing suit diving stunts.

Action Scenes are in slow-motion to heighten the drama and thrill of the film.

Race 3 cinematographer Ayananka Bose raised the bar of action sequences in this film.

In the climax scene shot in desert, cars were actually blown up; Wrangler Jeep which costs lakhs in India the crew bought 17 such Jeeps and blew up every one of them.

To add realism and heightened 3D experience VFX team showed car’s mechanical parts flying –off the screen towards the camera.

The climax scene shooting also received security from the Military of Abu Dhabi due to the explosions on the set.

Around 8 to 10 cameras were used on the set of the action sequences, some choppers, drones and Russian Arms.

Which is basically a high-end camera mounted on a high-speed Porche Van or a Mercedes to help cameraman to shoot from one car to another.

This film featured larger than life action sequence for Salman Khan.

Lots of Chroma-Key effects were used in the action sequences.

First the shots were taken with green-screen at the background and later real location visuals were added at the background.

Khan blowing up the cars by firing the missile like bullets was a real shot, as the director really blew up many cars during shooting.

Visual Effects, 3D conversion and colour grading were done by Prime Focus Limited, the world’s largest independent integrated media powerhouse.

As cinematographer Ayananka Bose recalls there was a very positive vibe on the set and lots of fun due to Salman Khan.

The movie is captured on a lavish canvas with beautiful locations, especially romantic song were captured in the mountain areas covered with snow, river and rocks.

Salman Khan’s fans definitely got satisfied by the sight of body muscle of Khan and Bobby Deol when they open ups their shirt off.

The action sequences included kickboxing and hand to hand combat.

Most of the action shots were performed by the cast of the film themselves as they gone through training for weeks before the beginning of the film shooting.

With no doubles being used, Jacqueline learned Mixed Martial Arts while Daisy Shah worked on her flexibility and ability.

Bobby Deol prepared hard and came up in a new avatar and Saqib Saleem performed raw action.

Anil Kapoor got trained to perform action with weaponry.

Race 3 Action Packed VFX Screen

The two marvellous VFX shots in the movie included Salman’s wing-suit and Bugatti Veyron explosion scene.

Salman Khan’s special entry in Wing suit was the thought of Remo D’Souza, as Remo wanted to do something different.

Remo wanted to bring Salman from the sky to make the entry special and unique.

VFX team under the supervision of Vishal Kapoor delivered an outstanding output.

Dialogues in this film played a different level altogether like ‘My business is my business, none of your business’ and Daisy Shah comes up with ‘Don’t open your heart, switch on your Dell Laptop’.

Race 3 released on 1000 screens and collected Rupees 39.87 crore on opening day in India and became the biggest opener of the year.

If you want to be a part of such magnamopus join us and pursue your career in VFX.

How ILM Enliven The Last Jedi

In our today’s blog post you are allowed to discover the secrets behind the massive Visual Effects and stunning creatures of The Last Jedi.

MAAC Kolkata presents the blog with respect to the techs and techniques of Visual Effects utilized in the film, Star Wars: The Last Jedi.

Here, aspirants and readers will get to know about the different VFX techs used in the movie.

So, let’s have a look at the blog.

Ahead of the pack up to the arrival of Rian Johnson’s eagerly awaited The Last Jedi, the movie producers were tight-lipped on what privileged insights were in store from the most current Star Wars film.

Be that as it may, 3D World figured out how to gain admittance to Visual Effects director Ben Morris from Industrial Light and Magic (ILM), who shared his experience of regulating the movie’s huge VFX exertion.

Here, Morris separates how ILM’s Visual Effects group understood The Last Jedi  darling porgs, what went into the Motion Capture and CG for Andy Serkis’ detestable Snoke, driving up the Millennium Falcon, creating lightsaber effects, and managing Luke Skywalker’s mechanical hand.

The Falcon takes off

One of the ‘characters’ included in The Last Jedi is obviously the notable Millennium Falcon, this time guided by Chewbacca and Rey (once in a while with a little help, or video games, from the delightful porgs).

In the first Star Wars set of three, the Millennium Falcon was obviously a scaled down ship shot by means of motion control on bluescreen and optically composited into star fields and space fights.

Presently it is a totally advanced creation, despite the fact that cockpit insides relied on an incomplete set recorded at Pinewood Studios close to London.

Since the Falcon has seen so much screen time in the Star Wars films, Morris was constantly ready to locate some sort of reasonable reference when it came to delineating the flying scenes for The Last Jedi.

“We would dependably reference what’s occurred in the past movies,” he says.
“As a matter of fact, per dispatch, when we’re doing these movies we have the best of each shot with an X-wing, and afterward Star Wars and the Falcon.
At the point when the craftsmen begin these groupings, they really sit and survey those interminably and discuss what’s great and terrible, in light of the fact that you’ve recently got the chance to figure out how to do it.”

ILM additionally had the advantage of hearing straightforwardly from the individuals who had chipped away at the first set of three, including senior Visual Effects administrator Dennis Muren.

This really furnished the group with some intriguing lessons about the mobility of the Falcon, regardless of the then crude controls accessible from the model movers and motion control cameras once upon a time.

“The thing that I generally detract from the Falcon is that, even in space, it flies as though it has air elements on it,” watches Morris. ”

There’s saving money and slipping and swerving.

 It resembles a gigantic skimming stone. For whatever length of time that you play it that route with the shape of the ship and its directions, at that point, your Animation will be correct.”

Without a doubt, the Millennium Falcon shots were among the most looked for after at ILM.

It was, as indicated by Morris, “similar to a rugby scrum, a punch-up” as far as specialists from the Visual Effects studio’s different workplaces asking for to take a shot at Falcon shots (the film was shared among ILM’s offices in London, San Francisco, Vancouver, and Singapore, with commitments from other VFX studios too).

The Most Effective Method to Make a Porg

Months before The Last Jedi hit the screens, one sort of character was at that point a group of people top pick: the porgs.

These flying creatures from the island of Ahch-To, where Luke Skywalker has been in separation, caught the creative energy of many.

Strikingly, the feathered creatures were initially planned to be just physical manikins made by animal impacts director Neal Scanlan, at the end of the day were additionally worked in CG.

“We had animatronics fit for the expert activities, such as flying on links or others that were radio controlled for foundation scenes,” says Morris.

“We experienced the entire no frills shoot and after that when we got to the editing portions there were a couple of shots where we figured we could do some more activities.”

To construct a 3D version, ILM shot and filtered Scanlan’s handy porgs, taking consideration to speak to each and every detail directly down to the quills.

“There’s a quite certain route around the back of their heads that the quills look and the greater part of that was totally duplicated in the CG form,” says Morris.

“The things that we look past what the animatronics had been mouth insides with modest little teeth and having the capacity to explain the tongue

Contriving the Snoke re-surfaces

In The Force Awakens, Supreme Leader Snoke seemed just as an anticipated CG multi-dimensional image, 25 feet tall.

In any case, in The Last Jedi, he is a sensible character, which required a re-working by ILM of its advanced model and way to deal with catching Andy Serkis, who loaned his Motion Capture ability and voice to Snoke.

Truth be told, this time around Snoke would be enlivened by means of numerous strategies.

To begin with, Scanlan’s group given a maquette of the character to be utilized on set as a reference.

In the wake of confirming that Snoke’s stature would achieve eight feet, remain in performing artists were additionally depended after amid shooting, one wearing a brilliant kimonolike ensemble that ILM, in the long run, replicated carefully.

ILM re-worked its unique Snoke display for additional detail, likewise putting Serkis inside a Medusa Performance Capture Rig, which had been produced by Disney Research for high-res filters.

As shots advanced, the VFX group kept running into a one of a kind problem expedited by a blend of the voice Serkis had given and the character’s facial highlights, as Morris clarifies.

The Visual Effects artists additionally needed to reproduce Snoke’s garments, comprised of a long flowing coat, and afterward manage his wrinkly skin and distortion.

“We took a gander at how men’s appearances can change as they get more seasoned and have things like sobbing eyeballs and lower covers,” portrays Morris.
“At that point, we had that dried skin and sticky lips. We even demonstrated Rian this old show called Steptoe and Son which had this revolting old character with some spiky stubble and Rian fundamentally stated, ‘Pull out all the stops.'”

The Star Wars Experience

For Morris and whatever is left of the ILM group, The Last Jedi encounter was an extraordinary one.

The Visual Effects chief, specifically, says he owes his vocation to seeing the Star Wars films as a kid.

Morris initially got into model and manikin making with the Jim Henson Creature Shop (where he likewise initially met Neal Scanlan), at that point labored for quite a while in computerized Visual Effects at Framestore before moving to ILM.

He revealed to 3D World he is especially energized that the stylish in these new Star Wars films, including on The Last Jedi, was to present a ‘retro’ vibe to the spaceships, universes, and animals, while as yet depending on years of advances in Visual Effects.

So, if you are seeking to know more about the diverse prospects of the VFX breakdown of The Last Jedi, this is your destination, just visit our place and get the best training on courses like 2D Animation, 3D Animation, Visual Effects, Multimedia, Web Designing, Graphic Designing and other architectural courses.

Uncover the Ways To Utilize Polygroups In ZBrush

Hello, readers and friends today this writer would like to introduce you to polygroups (the most overlooked part), a very significant part of ZBrush.

This blog post is presented by the MAAC Kolkata institute, the global leader of Animation and VFX.

MAAC Kolkata presents this instructional exhibits in joint association with the three centers of MAAC Chowringhee, MAAC Rashbehari and MAAC Ultadanga.

Here, you will get to know the ways to use polygroups in ZBrush in a very effective way.

Polygroups enable you to arrange the work with visual gathering data.

Polygroups are one approach to sort out your work.

Another route is to utilize Subtools. Where SubTools make isolate bits of geometry, Polygroups just make isolate determination regions.

Your work is as yet one touching surface.

Polygroups are to a great degree intense method for working with your work.

Different capacities, for example, the Insert Mesh brushes, utilize Polygroups.

To begin with polygroups, it is important to mention that ZBrush has a variety of numerous great features and you will find it convenient to ignore or overlook one of the most beneficial aspects of ZBrush i.e. polygroups.

Look at the Polygroups subpalette of the Tool palette for more creative choices.

Polygroups can be defined as a method to for relegating gatherings of polygon countenances to a determination.

Well, at times these polygon groups are recognized from each other by their score value colors, which is viewed by empowering PolyFrame.

You can make a Polygroup by stowing away different polygons and gathering the obvious polys.

Or on the other hand, you can cover out a zone and be gathering those polygons.

So once you’ve made some polygroups, what would you be able to do with them?

How about we investigate five ways you can utilize Polygroups to improve your ZBrush work process.

Eliminate Polygroups using Transpose

In polygroups, the transpose tool is not now for moving objects around your ZBrush canvas.

In addition to the polygroups, you can utilize Transpose in order to extrude faces either in or out of the ZBrush Canvas.

Once your Polygroup is characterized, initiate Transpose from the Brush palette or simply change from Draw to Move (W).

Presently CTRL-tap on the Polygroup.

CTRL-delay the middle hover to expel the Polygroup in or out from the surface.

By means of holding movement will enable you to compel the expel along the normals of the surface.

On the off chance that you utilize Scale rather than Move, you can make an inset.

Control the Effect of your Brushes

At the time of working with actual complex models which are made up of numerous pieces.

At times, it can be complicated to only influence some parts with your strokes.

For example, you should need to utilize the Move Brush to fluctuate singular cases of rocks or plumes that are inside the same subtool, without influencing other adjacent pieces.

In order to start with you have to dole out various Polygroups to each example by picking Autogroups from the Polygroups subpalette.

This will make another gathering for each different piece, yet you can likewise make custom gatherings on a single bit of geometry.

Presently, subsequent to initiating your brush, go to the Automasking area of the Brush palette.

On the off chance that you set Mask By Polygroups to 100, at that point your brushstrokes will just influence the main Polygroup that you tap on.

In the event that you set it lower than 100, the strokes will for the most part influence the main Polygroup touched, with a falloff happening over any extra Polygroups.

Introduction to UV Islands

UV Master is considered as a great way to rapidly lay out some of the good UVs on your geometry.

While utilizing UV Master, though, you administer a simple slice of control in the method the UVs are created and distributed.

With the assistance of Polygroups, you can obtain a little of that control back.

Basically, break your model into Polygroups in light of your proposed UV islands.

You can utilize concealing or make just your proposed polygons obvious and pick Group Visible from the Polygroups subpalette.

At that point, in the UV Master, turn on the Polygroups catch. Presently when you unwrap your UVs, the greater part of your polygroups will be isolated into various UV islands.

Making Boards

Polygroups can be an awesome help in separating off your models keeping in mind the end goal to make complexly layered boards for things like bodysuits, garbs or reinforcement.

Once you’ve allotted your Polygroups, you can utilize the Edge Loop instruments to make the boards themselves.

Found in the Tool palette, under Geometry/EdgeLoop, Group Loops will enable you to make a custom number of edge circles encompassing your Polygroups.

These can be utilized to make trim or a more completed edge once expelled.

You may likewise utilize Panel Loops to rapidly make raised, angled boards in light of your Polygroups.

Mesh Replacement

Polygroups will enable you to interface different bits of geometry flawlessly into your model, without utilizing DynaMesh.

Presently select an Insert Mesh brush with an open bit of geometry-attempt InsertHCylinder.

In the first place characterize a Polygroup where you’d like your new geometry to the interface.

Veil out the suitable zone and hit CTRL + W to make a Polygroup from your cover.

To make cleaner Polygroup edges from the veil, increment the clean sum by Group Masked in the Polygroups subpalette.

Coax it out finished your new polygroup and CTRL-drag in the canvas to unmask.

CTRL-drag again to make a consistent association between the two pieces.

As a reward, the new polygons that are made are doled out another Polygroup.

These are only a couple of the ways Polygroups can be utilized to improve your ZBrush devices and let you utilize them to their maximum capacity.

How would you utilize Polygroups in your work process?

So aspirants what are you waiting for?

Join us and explore the world and be a part of a promising career.

Nominations 2019 BAFTA Awards Animation & VFX Category

On 9th January British Academy of Film and Television Arts (BAFTA) disclosed about the nominations for their 72nd British Academy Film Awards.

In today’s blog we will take a look on the nomination announced for 2019 BAFTA Awards in the Animation & VFX category.

The 72nd British Academy Film Awards will be held on 10 February 2019 at the Royal Albert Hall in London.

BAFTA ceremony will be hosted by Joanna Lumley and will telecast only on BBC One and BBC One HD.

The Nominees in the Animated Film Category are Incredible 2, Isle of Dogs and Spider-Man: Into the Spider-Verse.

Nomination for 2019 BAFTA awards in the British Short Animation Category is also announced which is exclusively for the UK’s local artistic creations.

Nominees in the British Short Animated Category are-

Three nominees in hand-drawn animated shorts included I’m OK by Elizabeth Hobb, Abigail Addison and Jelena Popović, Marfa by Greg McLeod and Myles McLeod, Roughhouse by Jonathan Hodgson and Richard Van Den Boom.

I’M OK is a 6 minute without dialogue UK’s animated film.

It explores the wounds of heartbreak and trauma.

BAFTA Awards Animation & VFX Category @Animation Kolkata

Marfa is 8 minutes UK’Ss short animated film about a place out of time.

A deserted place where strange lights dance in the night sky, a countryside of lost horses, freaks and food trucks.

Roughhouse is a 15 minutes 30 seconds British short animated film about three friends on a new adventure in a strange town, but when a new member joins their loyalty breaks apart with terrifying sequences.

Nominees in the Animated Film Category are-

Released in February 2018 Isle of Dogs is a stop-motion-animated science-fiction comedy drama film directed by Wes Anderson.

It received nominations at the 76th Golden Globe Awards, 72nd British Academy Film Awards and 91st Academy Awards for best animated feature film and best original score.

American filmmaker Wesley Wales Anderson’s films are known for their distinctive visual and narrative styles.

Anderson won Silver Bear for Best Director for this film.

The story line follows a young boy Koyu Rankin searching for his dog after the species is banished to an island after the outbreak of a canine flu.

Produced by companies such asIndian Paintbrush, Anderson’s own production company, American Empirical Pictures in association with Studio Babelsberg.

According to Anderson Isle of Dogs is strongly influenced by the films of Akira Kurosawa.

It is produced at the 3 Mills Studios in East London and the animation department included number of people who worked previously on the film Fantastic Mr. Fox made by Anderson.

This film received the praise for its animation, story and humour.

Around 20,000 faces and 1,105 animated puppets were created by 12 sculptors working six days a week for the film.

2,000 more puppets were made for background characters and detailed puppets of the main characters took an average of two to three months to create.

Music was composed by Alexandre Desplat who also worked on Anderson’s previous film Fantastic Mr. Fox

The soundtrack of this film featured various original and selected songs from a variety of musicians mainly from Japan.

The songs used in this film had origins in classic Japanese cinema such as Akira Kurosawa’s film Drunken Angel and Seven Samurai.

It is the third nomination for Incredibles 2 director Brad Bird who won previously for The Incredibles(2004) and Ratatouille (2007).

Brad Bird is an American animation director best known for his animated feature films.

Brad developed a love for the art of animation at an early age and his mentor is Milt Kahl one of Disney’s reputed animation artist.

Bird first animated feature film was The Iron Giant made in 1999.

Both of Bird’s film The Incredibles(2004) and Ratatouille (2007) were placed among Pixar’s highest-grossing features and gave Bird two BAFTA awards for Best Animated Feature and Best Original Screenplay.

Incredibles 2 theatrically released in Disney Digital 3-D, Dolby Cinema, IMAX and IMAX 3D on June 2018.

This film received praise for its animation, voice acting, humour, action sequences and musical score.

This film was nominated at the 76th Golden Globe Awards.

This film made $182.7 million in its opening weekend, set the record for best debut for an animated film.

It has grossed over $1.2 billion worldwide, creating the fourth highest-grossing film of 2018, the second highest-grossing animated film and the 15th highest-grossing film of all-time.

BAFTA Awards Animation & VFX Category @Animation Kolkata

Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman; animated superhero film Spider-Man: Into the Spider-Verse is the third film in the BAFTA nomination.

This film was theatrically released in United States on December 2018 had grossing over $326 million worldwide against a $90 million budget.

It received praised for animation, characters, story, voice acting, humour and soundtrack.

It won 76th Golden Globe Awards, 91st Academy Awards and 24th Critics’ Choice Awards as Best Animated Feature Film.

According to the director Bob Persichetti, the hand-drawn animation elements created for the film gave it a unique experience.

There is a combination of old-fashioned hand-drawn multi-plane camera and a modern virtual reality environment.

Nominees in the Special Visual Effects Category are-

In the category of Special Visual Effects nominees are Avengers:Infinity War,Black Panther, Fantastic Beasts: The Crimes of Grindelwald, First Man and Ready Player One.

Avengers: Infinity War released in IMAX and 3D in 2018; it received praise for visual effects, action sequences, musical score and themes.

Along with BAFTA nomination it also received nomination for Best Visual Effects at the 91st Academy Awards.

Film Black Panther received 91st Academy Awards nomination and 76th Golden Globe nomination along with BAFTA nomination.

Any good animated movie gets the praise from the critics as well as from the audience.

There are many animated feature films which received BAFTA awards in the past years along with Academy Awards.

Receiving prestigious award is the dream of any animation film director which can be fulfilled only by hard work, hard work and hard work.

If you have that talent which will fetch applaud from the people then join our Maac Centre, we will help you to reach the big platform.

Journey of MAAC Alumni As Lighting Artist

In this blog we will unfold the complete voyage of Sandipan Dey in MAAC Ultadanga and his experience at the time of studying at the centre.

The Smile of the face says it all.

The brightness of this person’s face is brought to you by none other than the

MAYA ACADEMY OF ADVANCED CINEMATICS KOLKATA popularly known as MAAC.

Anyone who comes to MAAC unaware of their ability finds their true calling.

After hard work and struggle comes the success, this is the natural process in every human’s life.

In our centre miniatures are cultured and grown to rise to the sunshine and among those sun shines stood Sandipan Dey.

The Journey of Sandipan Dey is something exceptional which we are going to tell you today.

Let’s take a look at Sandipan’s extravagant experience and the contribution of MAAC Ultadanga in shaping his career.

CAREER COURSES OF SANDIPAN DEY IN MAAC ULTADANGA

From MAAC Ultadanga, He did his course in 3D Animation and the Course name is AD3D EDGE.

Immediately after completing Class 12 standard Sandipan joined MAAC Ultadanga.

Sandipan selected AD3D Course which is a 3D animation course, which covers the complete process of animation film making from pre-production, production to post-production stage.

AD3D EDGE Course provides hand on training in latest, in demand 3D software and along with it provides training in story writing, directing, lighting and editing.

From this AD3D EDGE Course, Sandipan learned about 3d animation and lighting techniques that are used in animation movies.

For Sandipan selecting a course and studying was not easy because the course was completely different from what he studied so far in his 12th standard and he was also not sure about the prospect of the course.

In the Interview with Sandipan he said that “Faculties and Colleagues at MAAC were great support and with that support I achieved what I always wanted to Achieve.”.

The Faculty members of MAAC centre Ultadanga provided great support to him; they helped him to understand the course properly and aided to develop his talent and skill.

The mentor at the centre gave the light of hope to him and with joint cooperation and coordination Sandipan is now a happy person with bright future.

Sandipan received certificate from MAAC after successfully completing his course.

His first placement was at Maya Digital Studio located in Mumbai.

Placement Details

Sandipan rejoiced that “I got my dream job as Lighting Artist at Xentrix Studio Bangalore”.
From the beginning he wanted to be a Lighting Artist, before joining Xentrix Studio Bangalore he worked at MDS as Lighting Artist.

MDS is a prestigious Maya Digital Studio owned by Ketan Mehta and located in Mumbai.

Sandipan worked in Maya Digital Studio as a lighting artist for animation films.

After working hard and gathering experience at MDS, he landed up at his dream place in Bangalore.

Currently Sandipan Dey is working in a renowned place Xentrix CG animation Studio Bangalore as the Lighting Artist.

Xentrix Studio is a fast growing animation studio in Asia, specialized in high-end CGI (Computer Generated Imagery) animation and gaming projects.

At Xentrix Studio he has gradually improved himself as a talented animation lighting artist along with other artists.

He is well paid artist in the Xentrix now and his success story is indeed inspirational to many newcomers.

In the world of competition he has proved himself through his hard work and he believes the philosophy ‘Stay on the sunny side of life’.

Still he is maintaining the same philosophy that was taught to him by MAAC mentors.

As he said in the interview “Life never gave me anything for granted, I worked hard and achieved everything”.
He thanked his mentors at MAAC for making his dream come true.

Achievements

This Acknowledgement card reveals his skills, his effort and what he has gained from the MAAC faculties.

It is a moment of pride and joy when somebody sees his/her name in the credit list.

His work as Lighting Artist has been praised and his name is mentioned on the card along with other artists.

MAAC Ultadanga is feeling proud of his success and is wishing him the best for the upcoming happenings to come in his career.

As Sandipan said “There is many more to accomplished”.

He is not going to stop by this achievement he is working hard to add many feathers to his hat.

Mr. Sandipan Dey is highly thankful to the MAAC Ultadanga faculty team for the support they have given to him throughout his career course in the centre.

Like Sandipan many of our alumni are on their expedition to success after they named themselves as MAACites in MAAC Kolkata.

MAAC Kolkata’s Director Mr. Naveen Choudhary has applauded the numerous roles played by the alumni after they have passed their course from any of the MAAC centres of Kolkata.

Director Mr. Naveen Choudhary is the lover of creativity and who has creativity, are his proud.

Our alumni Sandipan Dey’s journey from MAAC Kolkata to the prestigious animation studios in other part of India is really an impressive one.

Power of MAAC

Chowringhee, Rashbehari and Ultadanga MAAC Centres are the Gurukuls of education where faculty members not just focus on quality by showing the framework but also hold the position that have the power to decide the placements of the students.

MAAC centre provides placement assistance to each and every student.

On completion of the course, the placement begins and each and every student gets placement on the basis of talent, skill, passion and excellence.

The recruiters comes from various large companies across the world such as NDTV India, Xentrix, Redchillies VFX, Technicolor, Zee News, Design Mantra, MDS and many others.

Preparing students for the job is the main target, mission and vision of our MAAC Centres.

MAAC Kolkata has been ranked as the Best Animation, Visual Effects and Multimedia preparing institute in Kolkata.

Our novelty, brilliance and guidance have created a niche as a premiere Animation and VFX Institute in India.

Many Faces Of Graphic Design

Here you have many faces for graphic Design today we will discuss in our blog different aspect of grapic design from the eye of graphic designer.

There are plenty of job opportunities in the market today for a Graphic Designer.

A graphic designer communicates visually through the use of typography, photography and illustration.

Graphic designer creates symbols, images and text to deliver ideas and messages.

Fields where Graphic designs are used include Corporate design, editorial design, environmental design, advertising, web design, communication design and other.

Graphic design helps in selling a product or idea. Logo, colour, packaging and text are part of creating a brand identity.

Graphic Designers plays an important role in a branding team.

From Story books to Newspaper, the display of opinion and facts can be improved with graphics and visual information.

A skilled designer work hard in stylization of a text. He / She deals with art and technique of arranging type (Typography) to make written language readable and appealing while display.

Graphic designer should have good skill of communication.

Graphic Designer working on digital computers needs to be more skilled in image-making, typography and layout.

The field of Graphic Design is growing and the demand for specialized and skilled designers is high.

Marketing and Advertising Graphic Design

From making a product visually attractive to launching it into the market for customer satisfaction need understanding of the demand of customer.

Marketing of a product depends upon People’s need, awareness and satisfaction.

People always find visual content more attractive and engaging.

A company can promote and communicate more effectively through graphic design.

The Marketing Designer works with company owners, directors, managers or marketing professionals to create assets for marketing strategies.

Even custom T-Shirts can help the companies in building a brand identity.

T-Shirts carry the brand message in a more casual and friendly way. A well designed T-Shirts with Logo or company name catches the attention of masses more easily.

Vehicle advertising or Vehicle Wrap is the most economic form of outdoor advertising.

By using proper colour, Image, Logo design, photograph in vehicle warp; the message becomes attractive.

Types of Marketing Graphic Design are:-

Postcards, Flyers and Vehicle wraps

Magazine and Newspaper Advertisements

Posters, Banners, Billboards and Brochures

Signage and trade show displays

Images of Websites and blogs

PowerPoint Presentations and etc.

Marketing Designer should have problem solving attitude, excellent communication and time management skills.

Business Card

Publication Graphic Design

Thoughtful combination of Text and Image to support the content; is an important part of Publication Design.

Books, Newspapers, Magazines, Annual Reports, Directories, Newsletter and Catalogues fall under Publication Design.

Sometimes we buy books by looking at its cover; the cover of a book communicates a story and message through colours, fonts, images, symbols etc.

For Research report, Graphic Designer can display data through charts or Info-graphics whereas for Alumni Magazine designer adds illustrations to make the article catchy.

In Publication Designing, the print materials should be on time, on budget and without complication.

Skilled Graphic Designers work with Editors and Publishers to create Layouts with selected Typography, Photography, Graphics and Illustrations, infographics.

Designer should take care of Footnotes, Folios or Active links for a web version, copyrights, photo credits and many more in Multi-page layouts.

The Stationary items help to popularise business.

Things like Letterheads, Business Cards, Folders or Envelops etc. Shows professionalism and make impression on clients.

Packaging Graphic Design

A correctly and creatively done packaging draws attentions, sends message and sells product to the customer.

All products need packaging for storage, distribution and sale.

Packaging Design is a valuable marketing tool, as it communicates directly with the consumer. Each and every box, bottle, bag, can, container tells the story of a brand.

A Catchy Label Designing of a product; differentiate it from other product in the supermarket.

Label Designing includes the information of its maker, manufacturing and expiry date, ingredients, warnings etc.

In Packaging Industry, many types of symbols are Nationally and Internationally standardised. Such as a green dot convey that the packaging can be recycled.

Packaging Designers should have expert knowledge of print processes and a eager understanding of Industrial design and Manufacturing.

Packaging Designer should be Bold, Creative and Think out of the box.

Motion Graphic Design

The Graphics in motion are called Motion Graphics; such as animation audio, typography, Imagery and Video.

For example Kinetic Typography and Graphics used in film and television opening sequences, three dimensional station identification logos of some television channels.

Motion Graphic Designs are used by motion graphic designer in openings of Movies, Television Shows and News Programs to make the introduction more entertaining.

Computer Software like Adobe After Effects, Adobe Flash and other helps to create Motion Graphics.

Motion Graphics can be used in the:- Title sequences and end credits, Advertisements, Animated Logos, Trailers, Presentations, Tutorial videos, Websites, Apps, Video Games and Banners.

Environmental Graphic Design

Visually connecting people to places to improve their overall experience by making spaces more memorable, interesting, informative and easier to navigate is the work of Environmental Graphic Designer.

This section includes elements of graphic design, architecture, Interior design, landscape design and industrial design.

Environmental Graphic Designers activate places and create efficient navigation solution.

Providing signs in the environment is an old art, as cave men used to tell stories through paintings on the walls of their caves.

Types of Environmental Graphic Design includes- Signage, Wall murals, Museum Exhibitions, Office Branding, Public transportation navigation, Retail store interiors, Stadium branding, event and conference spaces.

The ‘Way finding’ type of environmental graphic design consists of strategic signage, landmarks and visual cues that help people identify where they are and where they need to go without confusion.

Sign Boards, Kiosks or Maps in Hospitals, Museums or any public places proved to be great help for the common public to find the appropriate place where they want to go.

User Interface Graphic Design

At present situation we cannot think life without Mobile Phones; we spend a lot of time on apps.

Mobile App Design makes an App Successful. Professional mobile app designer knows how to design an app with elegant interface, perfect icons and colourful art.

The User Interface (UI) design focuses on the user’s visual experience and the design of on-screen graphic elements like buttons, menus, micro-interactions and more.

UI designers become specialize in Desktop Apps, Mobile Apps, Web Apps and games.

They work together with User Experience Designers (UX) who decides how the app works and with UI Developers who write code to make it work.

Types of User Interface Graphic Design are- Web page design, Theme design, Game Interfaces and App design.

Along with Graphic Apps UI Designers need knowledge of programming languages like HTML, CSS and Java Script.

Hope you all got the idea how this arena of career can be.

So come and connected with our expert counseling team to advise you on right career just a call away @9836321595.

The World of Animation 2D & 3D

As we all know Animation is a technique to give motion to the still images.

Animation gives the life to the characters and elements which help to communicate with the audience.

Animations are made with Computer-Generated Imagery (CGI).

Animation is achieved by a rapid succession of continuous images that slightly differ from each other.

Computer animation has become popular since Toy Story (1995), the first fully computer animated feature-length animated film.

Animated films are based on animal characters, Giant, machines, or cartoon-like humans.

Now a day Animation studios are creating realistic-looking humans. Films that have attempted this include Final Fantasy: The Spirits Within in 2001, Final Fantasy: Advent Children in 2005, The Polar Express in 2004 etc. Films like ‘The Incredibles’ and ‘Up’ have humans as protagonists, while films like ‘Avatar’ combine animation with live action to create humanoid creatures.

Computer Animation can be divided into 2D and 3D Animation.

2D Animation

In 2D animation artist creates movement in a two-dimensional space.

It requires creativity and technological skills. 2D animation helps to create characters, storyboards and backgrounds in two-dimensional environments.

Traditional 2D Animation is a technique where images are hand-drawn with every image showing some fine changes from the other image.

2D Animated Pictures are flat, without depth and shows one perspective. Objects and characters are usually drawn without fine soft shadows that we see in real life and colours have less varying shades.

2D animation uses Bitmap and Vector graphics to create and edit the animated images and is created using software programs such as Adobe Photoshop, Flash, Adobe After Effects and Anime Studio.

These animations are used in advertisements, films, television shows, computer games or websites.

Creation of 2D animation requires: Pre-Production, Production and Post-Production.

In the stage of Pre-production each shot need to be drawn correctly.

Here the main action in each scene is drawn in a comic book-like form. Storyboard is completed during this stage.

In 2D animation, character moves from one key-frame to another, thus giving an illusion of continuous movement.

The drawings are divided into “keys” and “in-betweens”. Keys have important drawing that shows the extremes of the character’s movement.

The first drawing is always a key-while “in-between” are the less important drawings in the shot. During Production motion is added to the characters.

Rotoscopy
Anime
Onion skimming
Twining
 Morphing

The above mentioned points are the main techniques used in 2D Animation.

Finally in Post-Production: Audio, music, sound effects, visual effects are added to the animation. Animation is edited with editing software and then final output comes.

Examples of 2D Animation are Daffy Duck, Bugs Bunny, Snow white, the little mermaid etc.

Animation World @ Animation KolkataAnimation World @ Animation Kolkata

Why 2D animation:-

Since its advent in the early 1900s, it has provided huge benefits to animated projects.

2D animation is faster to create
as it does not require third dimension.

2D Animation is quicker to produce, requires less time.
It is very simple to redraw errors in 2D Animation.
Production cost is low.
3D Animation

It is the process of generating three-dimensional moving images in a digital platform.

The difference between 2D and 3D animation is the appearance of depth or the three-dimensional features. 2D Animation is a flat animation where all the actions happen in X and Y axis.

Whereas in 3D an extra dimension Z axis is present. Where X denotes height, Y denotes width and Z denotes depth.

In 1972 Edwin Earl Catmull and Fred Parke created the world’s first 3D rendered movie, an animated version of Edwin’s Left Hand. Currently Edwin Catmull is the president of Pixar and Walt Disney Animation Studio.

The technique of generating 3D Animation can be categorized into three main sections such as Modeling, Layout and Animation and Rendering.

Modeling is the phase that describes the procedure of generating 3D objects within a certain scene. 3D Created scene can easily be viewed from a number of angles.

Skilled Animators create a 3D polygon mesh with various connected vertices to give form to the object or character.

he mesh is then rigged by giving it an armature, a skeletal structure that can be controlled to make the object appear in specific poses.

Layout and animation phase helps in the positioning and animating the objects within a certain scene. Lastly, rendering stage is the end result or output of completed computer graphics.

3D Animation involves the following steps:-

Concept and storyboards
3D Modelling
Texturing
Rigging
Animation
Lighting
Camera Setting
Rendering
Compositing and Special VFX
Music and Foley
Editing and Final output
3D allows to create realistic objects. One can use textures and lighting to create objects that appear solid, and can even be integrated seamlessly into live video elements.

Autodesk 3Ds Max, Autodesk Maya, Cinema 4D, Houdini, ZBrush, and Blender are some of commonly used software used to create 3D animation.

Examples of 3D Animation are films like Toy Story, Shrek, Frozen, The Transformers etc.

3D animation is widely used in the following sectors:-

Architecture, Medical, Aerospace, Engineering, biotechnology, gaming industry, Television Commercials, Educational purpose, films and many more.

Why 3D Animation:-

3D animation is more realistic and exciting
3D models can be reused for future projects.
3D Animation is more popular among the audience
3D Animation requires more time
Other types of 3D Animation are:-

Stop-Motion
Clay Animation
Cel Animation
Paint-On-Glass Animation
In the year 1932, Academy of Motion Picture Arts and Sciences presented award for the first time to the Animated short called ‘Flowers and Trees’ directed by Burt Gillett and produced by Walt Disney Productions.

In India, Film ‘Roadside Romeo’ (2008) was the first 3D animated film, written and directed by Jugal Hansraj Television series ‘Captain Vyom’ had used first VFX and 3D Animation.

The ‘Annie Award’ is presented for excellence in the field of Animation.

Animation is used for entertainment purpose. Along with entertainment it is also an Art form appreciated in all over the world.

Along with Walt Disney, other studios like Pixar, DreamWorks are doing marvellous work in the field of Animation.

Come and enter the world of animation holding the hands of Maac Kolkata.